The Stage
I'd Rather Goya Robbed Me Of My Sleep Than Some Other Arsehole
'composer Adrienne Quartly’s ambient sounds are a pleasure in themselves'
Blue Sky
Elizabeth Freestone’s tight production keeps the action moving, while Adrienne Quartly’s sound design evokes both the psychological and practical aspects of this controversy
A Christmas Carol (Adapted by Gary Owen)
The pace is admirable, the spectres projected with imagination, the songs by Adrienne Quartly seamlessly introduced
Playing For Time
Paul Anderson’s lighting is stark and uncompromising, and the jangling fusion of music and concentration camp horror produced by Adrienne Quartly’s soundscape leaves no doubt of the hell outside the small place of tenuous privilege inhabited by Auschwitz’s women’s orchestra
The Great Highway
Jon Bausor’s cracked highway set has the audience sitting around the rubble of the road along which our main protagonist travels. Dotted within this, Adrienne Quartly has placed speakers that emit an almost polyphonic sound that wraps itself around the audience, drawing them in